Return to Cherie Currie

Interviews with The Rembrandts and Cherie Currie/Brie Darling + win new releases

August 5, 2019 | 

We spoke with Danny Wilde from the duo The Rembrandts and the new duo of Cherie Currie, of The Runaways, and Brie Darling, of Fanny, about their new albums available this month on Blue Elan Records.

CHERIE CURRIE & BRIE DARLING met in 2017, over forty years since their ‘70s beginnings with the groups The Runaways and Fanny, respectively. When Fanny were recording their Blue Elan reunion album Fanny Walked the Earth, Fanny drummer and singer Brie Darling reached out to vocalist Cherie Currie to be a guest on the album. Their friendship grew and they have recorded nine covers and three originals for their first full length album together, The Motivator, produced by Dave Darling.

GOLDMINE: Congratulations on The Motivator. This album is so much fun. I didn’t know the title song. When my best friend John would play me T. Rex’s Electric Warrior album in the ‘70s, we would listen to “Bang a Gong,” “Rip Off,” and “Jeepster.” I don’t think we made it to side two together, so thank you for introducing me to the T. Rex song, “The Motivator,” through your powerful version.

BRIE DARLING: I’m glad you find this fun. That’s what we like to hear, right Cherie?

CHERIE CURRIE: I love that T. Rex song and I think the new version turned out brilliantly. Dave Darling, who is Brie’s husband and a six time Grammy nominated producer, just killed it with his arrangement. I love it.

BD: Like you, I wasn’t familiar with “The Motivator,” but I like T. Rex. I believe Dave found that one and he said, “Let me lay down the track and we’ll try it.” Once we did that, we fell in love with the song. By the time it was fully recorded we knew that was the lead song we wanted for the album. Cherie, Dave and I had such a great recording experience. It went smooth and fast. Now with the final product, Cherie and I talk almost every day about how much we love it. We are thrilled! Cherie has kind of an interesting story about recording that song.

CC: Dave decided when we started recording this project that the concept was that I would record a few songs and Brie would do a few and we would back each other up. Brie had laid down a really great scratch vocal track, as a sample. She is such a great singer. Dave had it in mind, though, that this was a song that I was going to sing but I told him that this has to be a duet. He disagreed and I told him that he has to try it. I said that I’ll do the first verse and we’ll pull in Brie’s voice from that recording and wait until you hear how great this will sound together. He did and then he was thrilled. Brie really loved the song and she is such a team player. So, Dave planned it as a surprise for Brie. Brie walked in to hear what she thought was going to be my vocal and, all of a sudden, her voice came in on the second verse and she just started jumping up and down. She was so excited. The look on her face was so awesome. This is what started the concept of us sharing songs more because Dave felt that Brie and I sound great together.

BD: Cherie is one of the few people that I have worked with who is so sharing, giving and open and I absolutely love that about her. We have developed a trust and know that we have each other’s best interests in mind and lift each other up. I think we make each other better.


GM: I didn’t know “The Motivator,” but I know the rest of songs covered including one I don’t think I ever heard on the radio, “Gimme Some Truth,” from John Lennon’s Imagine album. I bought that album when it debuted and played it over and over in my bedroom growing up in the ‘70s. I just love it. One of the songs from the album was played at our wedding reception in ’79, and my wife Donna and I agree that “Imagine” is our all-time favorite Beatles related song. “Gimme Some Truth” is a deeper cut on the album, but politically it feels as relevant today as it did in 1971. Phil Parlapiano plays piano wonderfully on your new version.

CC: He is amazing. That is one I didn’t know but Dave sent me Brie’s scratch vocal and I felt that sounded complete, with no more takes needed. She was brilliant and I love the song now. Thank goodness for Dave. We’ve been able to take these songs and add a neat, cool spin on all of them. I am very blessed that I get to work with these two wonderful people. A lot of the songs from that era are still topical, which says something.


GM: Then there is the other “Gimme” song from another big British Invasion group, “Gimme Shelter,” with your high harmony notes on this Rolling Stones classic.

CC: That is all Brie. When we started working together, I couldn’t hold back on how big of a fan I am of Brie.

BD: What I love about it the most is that I find Cherie and I supporting each other. If anyone gets to experience this kind of a relationship, it is golden. I love it.


GM: That is wonderful. The album includes three new songs that you wrote. Let’s start with the up-tempo anthem, “This is Our Time.”

BD: This came out of one of Cherie and my early conversations. I think Cherie was talking about us working together and this being our time for us each to take our pasts and move forward. We were just so thrilled to be working together. This was an opportunity to honor our pasts but kind of break away from it and make it current. The cool thing is that I love songs that have multiple meanings. Yes, this is about Cherie and me, but it is also about people in general making an opportunity to do something.

CC: We’ve both been through a lot in our lives. We’ve had success but there have also been major challenges and we are thrilled that this is our time to have each other’s back and even be protective of each other as we collaborate and share our music.


GM: As much as I enjoy “This is Our Time,” and your “making an opportunity” ambitious spirit, of the three new originals the one I love even more is “Too Bruised.” It is beautiful. There are great harmonies. The strings are nice on this pretty song with a theme of sadness. Our daughter Brianna thinks of it as a bluesy “Don’t Speak,” as she grew up on No Doubt in the ‘90s. I played it for her when we were traveling to a concert recently to get her thoughts on the song.

CC: That song blew my mind. Brie was sitting at the computer and she was playing the music. I heard this beautiful voice and these amazing lyrics. I looked up and Brie was actually singing it. I thought this is perfect. I freaked out and called my son, Jake Hayes, and told him, “I just heard a perfect song that Brie and Dave wrote.” It is one of the best songs on the record.

BD: We are happy that we did the early covers, paying tribute to our past and our experience and then writing the originals to move forward on to what comes next for us. Writing new songs together gave us the opportunity to share what is going on with us right now and start our new journey together. I’m looking forward to the next record having a lot more originals. I just love that you asked your daughter Brianna to listen and got her opinion. I think that is wonderful to involve young people, especially young women. I am all about encouraging young women.


GM: Thank you. On the third original, “I’m Too Good, That’s Just Too Bad,” features Dave with some heavy guitar.

BD: Cherie and I wrote all the lyrics to that. Our friend Patti Quatro, who introduced us, was also involved in that song, but Dave wrote the musical track and we wrote the lyrics and melody. When we were doing the Fanny Walked the Earth record, I wanted to have all the women who were involved in Fanny on the record and Patti, who was on the album that gave us our biggest hit, “Butter Boy,” suggested that we have other girl band members from back in the day and suggested Cherie. Other than Nickey Barclay, who now lives in Australia, we had all the Fanny members on the record and more women, too. That is how I met Cherie and was wowed by her high energy.


GMSo, on “When We Need Her,” on the Fanny Walked the Earth album, with a sound so full and wonderful, is that one of the songs you both are on?

BD: Yes. Exactly. It is one of the songs that I wrote and we recorded it in the studio in Massachusetts and then we brought it out here to L.A. Patti flew in to add her vocals and we brought in all the amazing women like Cherie, and Susanna, Vicki and Debbi from The Bangles, Kathy Valentine of The Go-Go’s, Genya Raven of Ten Wheel Drive, and more. That will forever be one of the best things about this album is getting all these women to come together and be on an album with one of the original girl bands. It was an honor to have them all.

CC: Thank you for enjoying “When We Need Her.” Also, I am working with Patti’s sister Suzi Quatro on her upcoming movie.


GM: Suzi is another favorite. I met her forty years ago in ’79 when “Stumblin’ In” was a hit and we were doing a record store promotion. We had her on a Goldmine podcast recently talking about her new album No Control. That’s another great 2019 album. I think “Bass Line” may be my favorite on it. Speaking of siblings like the Quatros, Brie, your brother Henry’s choice of “Do It Again,” for your new album was a pleasant surprise. I saw the title and was wondering if it was going to be ‘60s Beach Boys or ‘70s Steely Dan. Then when I listened to it, I heard, “We’re back where we started, here we go round again.” I forgot about this ‘80s Kinks single. This is a great choice from your brother Henry and a wonderful guitar solo from your brother Phil on it too, plus another family favorite, Susan Olsen on background vocals.

BD: Thank you. Even though it is from the ‘80s, the Kinks are from our ‘60s and ‘70s background. It is such a fun song and Cherie just kills it.

CC: And Susan Olsen is like my adopted sister. I have known her for many years. We had friends and family on the song including my sister Sondra Currie and my ex-husband Robert Hays. Phil Campbell from Motorhead recorded that conductor part from his home in Wales.

BD: Throughout the record we had friends and family. For the first time I was able to have my two brothers and my sister Rory on a record that I appear on and that means so much to me.


GM: Speaking of family, Donna was a big fan of The Osmonds growing up. In addition to the Hollies’ version of “He Ain’t Heavy, He’s My Brother,” she also knew The Osmonds’ version very well as the flip side of “One Bad Apple.” Now there is your new version with Cherie’s beautiful counterpoint poem.

CC: You know that’s funny as that’s a scratch vocal. I wrote what Brie was singing about our vets and our homeless vets. The idea came to me that we would bring this song into present time by having Brie do this beautiful lead part along with me and pay homage to our vets.

BD: The poem that Cherie wrote is undeniably beautiful. Almost every time I hear this, I end up crying. It is really moving, and it is an important issue with many vets still suffering.

CC: This solidifies how much I really wanted the song to be a duet.

BD: Both Cherie and my father served in the military and my brother did too. We have special feelings and compassion for the people who go through that for our safety.


GM: Another touching song with beauty is “Get Together” with a quartet of strings that really adds nicely to the recording.

BD: I love strings. I think we did string sections on three of the songs, right Cherie?

CC: Yes, and Dave meticulously wrote out these very unique string sections and it was just awesome to watch it. The man is truly a genius. This record has been the easiest record I have ever made and the most satisfying. I look forward to doing these songs live and we will also honor our past and our fans with songs from The Runaways and Fanny in the shows, too.

BD: And there are a couple of songs from Fanny Walked the Earth that I want in the set including “When We Need Her,” that we discussed.


GM: Cherie, I am also starting to hear your nephew Trev Lukather’s band ZFG. The song “Special” is catchy and Trev’s guitar playing is so powerful. I look forward to a full album with them. I am so interested in next generation acts including this “sons of Toto” band with Sam Porcaro and Trev.

CC: Trev is my twin sister Marie’s son and I am so proud of him. He has really come into his own. He has worked a lot of years to become the kind of guitarist, singer and songwriter that he is, and I just couldn’t be more proud of him. He just kills it on stage. I saw them here at the Canyon Club as an opening act and they completely blew the lead act off the stage.

GM: I am obviously excited about your merging of talent and the upcoming tour with new and old songs. Brie, I remember being seventeen and driving around suburban Cleveland, listening to Fanny’s “Butter Boy” on the radio and loving it.

BD: Thanks. I was happy to be in Fanny and help get the group back, not only into the Top 40 but in the Top 20s on the charts, even though we were banned in Boston.

CC: Thank you so much for the support of the new record. It really means a lot. We truly appreciate it. We are like fish out of water because the business has changed so much. We’re depending on people like you to help us. We look forward to seeing Goldmine readers at the shows.



To win both recordings from Blue Elan, all you have to do is put your email and address in the boxes below by August 31, 11:59 p.m. You will immediately be entered in the Giveaway and as a bonus you will receive our informative eNewsletter from Goldmine (collecting news/tips and exclusive articles and interviews with your favorite classic artists). We will randomly draw winners from the entrants. Blue Elan has supplied us with two autographed vinyl copies of The Rembrandts’ Via Satellite and two sealed CDs of Cherie Currie & Brie Darling’s The Motivator to give away, so your chances are doubled